Shape from Shading

The part is lit from several sides in turn, one frame per light, and the camera works out the slope of the surface at every pixel. No 3D sensor, no laser line, no second camera.

As the camera sees it, and as relief

Braille on a pharmaceutical carton

In the camera frame the print dominates and the dots are hard to find. In the relief picture every dot is a clean mark on a flat ground, ready to be counted and checked against the layout. A crease in the board shows too.

Embossing

The coin’s relief without its copper shine and the grid of the paper beneath it.

Stamped marks

Grade and maker’s marks on a plated, reflecting nut become readable text.

Damage

The torn edge of a hexalobular socket, lost among the scratches and dirt of a used part.

A crease in a printed label, from both sides

The print vanishes and the kink in the paper remains. Turned over, the same fold appears as a ridge instead of a groove, and the label’s edges are drawn as thin lines on the flat sheet.

How it works

1. Switched lights. Three to eight lights, a segmented ring light or bar lights, each on a digital output of the camera. The part stays still for the burst.
2. One frame per light. Light on, settle, frame, light off, next light. An optional dark frame removes the room light.
3. Solve every pixel. On a matte surface the grey value is the lightness times the cosine between the normal and the light. Three or more lights give both for every pixel; a pixel in shadow or glare under one light is solved from the others.
4. Inspect as usual. The result is a set of ordinary pictures: curvature, albedo, tilt. Every inspection tool reads relief as it reads grey: measure a dent, read stamped text by OCR, score the surface with the AI tools.

One camera, three to eight lights, one burst. The lights sit low above the part, the camera straight above it. Lower lights give more contrast, more lights fill the shadows.

See what relief shows on your parts.